Johannes Hinderbach (1418-1486) and his copies of Decades

For the past four months, I have been studying on a collection of Decades copies once owned by Johannes Hinderbach. These manuscripts have been really insightful as they contain several annotations of Hinderbach. I thought it useful to write something about these manuscripts as they are so fascinating.

First, few words about Johannes Hinderbach (1418-1486). He was a German-born diplomat, who had studied in Vienna and in Padova. From the latter he graduated as doctor utriusque iuris (doctor of canon and civil law) in 1447. Most of the 1450s Hinderbach worked as an ambassador of the Holy Roman Empire and visited Italian peninsula multiple times. He could be called as an expert in the Italian affairs and therefore he accompanied emperor Frederick III (1415-1493) to Rome in 1452, where the emperor was officially crowned by pope Nicholas V (r. 1447-1455). In 1465, Hinderbach was elected as prince-bishop of the alpine city of Trento, and he would hold that position the rest of his life.

Source gathering trip to Italy (and first live paper presented in Siena!)

On commute to the Vatican library

I thought I'd write a short post of my source gathering trip few weeks ago. The trip focused on Italy, more precisely, to Rome, Florence and Siena. The original aim was to participate the final colloquium of the Lamemoli-project (Late Medieval and Early Modern Libraries 2017-2022) and present a paper there, but this trip grew to a full three week journey to various Italian libraries.

I spent the first week (20.2.-27.2.) in Rome, where I delved in the Vatican library. My aim was to finish my research on certain manuscripts, which was interrupted by covid-19 in February of 2020. I honestly got a lot of things done, measuring codices and counting quires. I even managed to inspect some new manuscripts such as Ott. Lat. 1440 and Ott. Lat. 1916, which are some later copies of Decades. The latter manuscript was especially fascinating, partly due to its huge size (430 x 240 mm, with over 400 leaves). Also in Rome I had the time to meet many friends, some residing in the Finnish Institute in Rome, and some were just conveniently on holiday in the Eternal City. 

Intertextuality in Biondo's works

Few days ago, I noticed a small, but quite interesting piece of information while researching a copy of the first decade of Biondo (Vat. Lat. 1936). The scribe of the copy had the habit of copying everything from the model, even marginal texts and colophons. He also copied a certain marginal note in the seventh book on f. 120r, which raised my eyebrows:

Luceolim co(e)ptum postea hui(c) et in Italia desc(ri)psi : fuisse : ubi nu(n)c pons est luceolis dictus oppido p(ro)xim(us) Canthiano, Urbinu(m) int(er) et Eugubiu(m) civitates. In vetustissima oli(m) flaminia via.

When did the decline of the Roman Empire start? Biondo's interpretation of the inclinatio

We are all familiar with Gibbon's Decline and Fall of the Roman Empire (1776). Though it is often the first book we think when discussing about the decline of Rome, it is by no means the first attempt in history that tries to explain what exactly happened to the Roman Empire in the Late Antiquity. Multiple Renaissance humanists like Leonardo Bruni and Poggio Bracciolini have pondered this question as well. However, the one who truly took it to another level was Flavio Biondo. As the title of his largest historiographical work, Historiarum ab inclinatione Romanorum imperii decades (The decades of histories from the decline of the Empire of the Romans, 1453), might reveal, Biondo built his whole work (or at least the first 10 books) around the subject. But why and when did Biondo think this inclinatio started? Below, I try to present how Biondo sees this topic.

My first visit to the Vatican library - Spring in Rome as PhD student

[This post is a translation of a blog post I wrote on JYU Medieval studies blog in June 2020. The original post can be found here.]

The first spring of my doctorate program started with a bang. I spent the spring of 2020 in the Finnish Institute in Rome, where I worked as a part of the research group of the director Arja Karivieri. The building where the institute is situated, Villa Lante, is without a doubt on the best spot in Rome, from which one can admire all of Rome. The surroundings were motivational to say the least, and I was looking forward to the working possibilities of the coming spring. Along with the work in the research group, my aim was to start to write my doctoral thesis as efficiently as possible. Because my research focus deals with Italian Renaissance manuscripts and incunables, the Eternal City offered a perfect framework. I had planned to utilize the multiple libraries of Rome to find research literature, but my main aim was to visit the Vatican Apostolic Library, Biblioteca Apostolica Vaticana.

A view from the balcony of Villa Lante. Picture: Riikka Vuoksenmaa